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That said, the game does occasionally zoom in close on a character against a dated backdrop that ruins the effect-but that is uncommon. The result is often honestly breathtaking, and the team’s decision to not give the player camera control allows them to position it instead where they can create the effect that they want, rather than what the player finds convenient this is used both to create gorgeous vistas and, perhaps more directly, to hide chests and other goodies in a natural way, encouraging exploring in order to see the area from other angles. Considering they worked with over half a dozen companies to make the dioramas that would be the settings of the game, this is an apt name indeed. Mistwalker went out on a limb, combining the principles of a world made from real materials seen in games like Yoshi’s Wooly World or Tearaway with the pre-rendered background style of PlayStation games to create a beautiful aesthetic accurately termed in the marketing as a “diorama RPG”.

FANTASIAN PLATFORM FULL

While the big name attached is of course Final Fantasy composer Nobuo Uematsu, doing potentially his last full score, the art style is the true star. PresentationįANTASIAN’s presentation is likely to be its most lasting impact. Luckily, this section only lasts maybe an hour, but it does, unfortunately, mean that the game has a time commitment before it “gets good.” With that out of the way, let’s get to it. While in this prologue, Leo has limited capabilities, a robot party member with access to skills that won’t again be relevant for another ten hours, and largely portrays the game as more barebones and by-the-numbers than it is. He has head-injury caused amnesia, the tired trope where he has forgotten whatever the writers find convenient for him to have forgotten. The game starts with the main character, Leo, waking up on the floor of a factory with two robots. The genre is known for narrative depth, often repetitive battles, and top-notch music.īefore I get into the praise I have for the game, I need to talk about the opening hour. It’s a typical JRPG, which roughly means that it has a set cast of characters that fight in turn-based combat-the player tells the character what to do and the character carries out those actions.

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FANTASIAN is no exception, bringing their expertise home to yet another new platform - Apple’s iOS, Mac and Apple TV. Founded by Hironobu Sakaguchi of Squaresoft/Square Enix fame, they’ve made their mark creating Japanese Role-Playing Games (JRPGs) that both capture the essence of the genre while building on it mechanically and narratively.

Mistwalker Studios have made their name making Final Fantasy-esque games for non-Sony systems.

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