Jules pulp fiction movie#

But even with the lack of focus, the very presence of the pair remind both the viewer and Brett that he is sandwiched between the two and has no direction to escape. The following shot is an over-the-shoulder (or rather an over-the-hip) shot of Brett, with Jules away from focus in the foreground and Vincent away from focus in the background. Jules casually discusses a burger with Brett while Vincent walks to the kitchen. The tension in the scene, caused by the power that Jules exudes, is supplemented by the casual dialogue and nonchalant actions of Jules and his partner.

He even says to Brett’s friend to lie back down when the friend tries to get up, reinforcing his power both metaphorically and physically. Jules is of utmost importance in this scene and has complete dictation of what happens. On the frame, the vertical height of Brett and his partner is significantly shorter than the height of Jules, and is furthermore off-center. Additionally, the succeeding shot consists of Jules standing tall in the center of the room while Brett is seated on the right side eating a burger and his friend is lying down on the left side. Augmenting the fact is Jules’s serious expression and formal clothes as compared to the friend’s startled expression. This, coupled with the following low-angle shot of Jules, contributes to the depiction of Jules as superior and powerful, whereas Brett’s friend is inferior.

As Brett’s second friend is lying on the couch, the camera naturally captures him with a high-angle shot. Furthermore, by cutting again on action of the door slam, Tarantino is able to hold the camera on the shut door, physically reflecting the idea that Brett’s crew is now trapped by the pair. Director Tarantino uses high and low angle shots, close-up shots, and framing in the scene in order to establish Jules’s and Vincent’s intimidating appearance and their valuation of power for the sake of power.Īt the start of the scene, Tarantino uses cutting on action in order to contrast the uncertainty and confusion of Brett’s friend with the seriousness of Vincent and Jules.

Jules pulp fiction movie#

What follows is one of the most iconic scenes of the movie that still holds relevance in cinema history. Specifically, Vincent and Jules visit the apartment of Brett, one of Marsellus Wallace’s associates. In the final story, we watch Vincent and his partner Jules obtain a briefcase and later have a scuffle with a diner robbery. After both of them are taken captive, Wallace forgives Butch for rescuing him. The second tracks Wallace himself, who attempts to track down a prizefighter named Butch who betrayed him. The first is about Vincent Vega, Wallace’s hired assassin, who takes Wallace’s wife to dinner and later rescues her from an overdose. In the film, three interlacing stories are presented about events relating to Marsellus Wallace, a mob boss. It is renowned for its absurd and deadpan humor, its modern satirical tone, and most noticeably its disorienting and time-breaking storytelling techniques. Quentin Tarantino’s Pulp Fiction can be found near the top of many all-time-top movie lists.